KEREN LUCHTENSTEIN A SENSE OF PLACE 27th November - 12th December 2021 Electro Studios Project Space St Leonards on Sea
Responding to the title, A Sense of Place, this mixed group show explores themes of family, heritage, migration, displacement, identity, nostalgia, memory and loss through paintings, drawings, sculpture, installation and mixed media.
I paint belongings. They include toys, jewellery, shoes and ornaments. These treasured possessions are painted as portraits, imbuing them with the importance I feel they deserve. The paintings invite the viewer to imagine stories about the objects and the memories and emotions they trigger. Lost possessions can cause a yearning out of all proportion to their monetary value.
My refugee father lost everything, not once but twice. In the end, his belongings existed only in his memory. In my work, I try to recapture the hidden past of lost possessions. People who have commissioned me to paint their precious objects are often overcome with emotion when they see the finished work.
Her still lives see the observation of objects with almost irrational reverence - her attentive and nostalgic paintings playfully investigate the resonance of objects and the powers we give them to protect us. She makes illusionistic oil paintings portraying items which appear to occupy the viewer’s space. As a child Keren remembers the sensory experience of examining objects with a heightened obsessive focus. Through her paintings she aims to communicate the pleasure thus derived. This connection with childhood feelings informs the subject-matter - the yearning for beautiful shoes and ornaments, the emotional attachment to well-used utility items and to inherited objects. Much of Keren's work relates to fashion and textiles - clothes and interiors being an abiding delight to her.
The paintings reflect her personality- at the same time quiet and controlled but passionate and emotional. Despite the skill-based approach to the work, the paintings aren’t about virtuoso technique, they are about the feelings evoked by contemplation of the objects portrayed.
She reclaimed her father's family name Luchtenstein in memory of her father, a refugee from Nazi Germany who joined the British Army and worked for SOE.