AMY DURY A SENSE OF PLACE 27th November - 12th December 2021 Electro Studios Project Space St Leonards on Sea
Responding to the title, A Sense of Place, this mixed group show explores themes of family, heritage, migration, displacement, identity, nostalgia, memory and loss through paintings, drawings, sculpture, installation and mixed media.
My subject matter is mostly figurative, I am naturally drawn to imagery from the past, especially the '70s and '80s, and the work of British social documentary photographers. The activity of choosing imagery and selecting composition is key to the final outcome. Looking back into our recent past is an act of remembering and nostalgic mis-remembering, with photographs becoming the memory which constructs stories about ourselves.
I am also drawn to the times gone past which seem less self-conscious, more free and full of what we were becoming. I used to look at social documentary photography but my recent work has come mainly from Screen Archive South East, which is a bank of amateur videos collected by the University of Brighton, and I like to watch these and take screenshots. I prefer this as each image is going to be much more personal for me than a still photograph, already framed and chosen by the photographer.
However I do still use photos from searches – and so another favourite theme is '60s hippy life, and I try to find new imagery for this online. I love the sense of hope, bravery and innocence. What I see from the archive film is also times of happiness, closeness, togetherness - all in saturated colour. The other angle on this is we know what happens next, and nostalgia is a curious feeling… not to be fully trusted. Amy combines gesture and character with ideas of rich colour, areas of loose and tight and confidence in line. She works with oils to create evocative and nostalgic works of art, combining elements of realism with occasional abstract and gestural brushwork. Her greatest influences are Edgar Degas, Kaye Donachie, Peter Doig and John Singer Sargent - all use the figure to convey narrative alongside beautiful painterly technique. With somewhat allusive titles, Amy’s paintings are highly narrative, open to nostalgia, interpretation and a host of memories.